Cherry Red Ginseng Mead

One of the most abundant wild foods in my ecosystem is the chokecherry. Prunus virginiana is indigenous to North America, and was “the most important fruit” in many Native cultures. My friend Arthur Haines recently produced a video showing how he likes to use the choke cherry:

Many people believe chokecherries to be poisonous, which is a bit of an oversimplification. The seeds do contain an element called prunasin which can adversely affect our respiratory system when taken in quantity, though like all poisons it depends on the dosage. Smaller doses can have a medicinal effect for lung disorders, this is one reason cherry cough drops have become so popular.

Regardless, there are a few ways to deal with the prunasin. You can either take the seeds out entirely, or heat-treat the seeds either via drying as Arthur does in his video or via cooking to deactivate the prunasin, rendering the seeds edible without harm to the human body. For this batch of mead, I used the former strategy, juicing the chokecherries and discarding the seeds.

My wife knew of a patch growing nearby and was kind enough to harvest more than half gallon of the cherries:

Wild-harvested chokecherries, including a sample of the leaves for identification. Thanks LM!

I couldn’t wait to use these in a mead! I wanted to combine it with an herb, since I’m trying to expand my use of herbs in my meads. After a lot of thought, I decided to use Red Ginseng Root as the herb. Traditionally in Chinese herbalism, Ginseng is only given to the very old and convalescent. It is respected as a powerful stimulant for those who need it in the short term, and not as a “caffeine substitute” in the west. Regardless, this herb has a long and rich history:

In Asia, wars have been fought over possession of fields where ginseng grew abundant and wild. Ginseng is a known adaptogen, which helps the body adapt to stress, and to help balance itself. A vast amount of research has been done over the last 20 years that has gone a long way in proving that ginseng does have properties that improve memory, mental acumen, and in relieving stress and fatigue. The German E Commission has noted that used as a tonic, it may help fortify and invigorate in times of fatigue, or in times when great concentration may be needed.

I made a decoction using both Chaga and the diced root of Red Gingseng. The scent of the tea was wild, almost exotic! I can’t describe it, it smells like nothing else. After I reduced the heat, I added some Staghorn Sumac powder in a teabag to infuse for about an hour. I then strained the tea, and let it cool to blood temperature.

I then juiced the cherries, to yield about a quart of gorgeous red cherry juice:

A bit over a half gallon of chokecherries yields about a quart of juice.

I then added enough of Tony’s Raspberry Honey to get to an 18% alcohol potential:

18% alcohol potential, though it's a bit hard to see with the foam

The result is a very nice red colored must:

Cherry Red Ginseng Mead! Or at least it will be in several weeks....

I think this will be a good one!

UPDATE: 11/18

This one came out a very brilliant yellow color! Surprising but very cool. This is also the best tasting mead I’ve done in a while. It’s about 4.5% alcohol potential, which means this is 13.5% alcohol.

Raspberry Damiana Mead

Recently, a friend of mine asked me to brew up a custom mead for him. He wanted to work with Damiana, which is an herb I’m only vaguely familiar with. My wife had worked with a Damiana honey infusion. He then mused, “and I think it would go really well with raspberry.”

I did a Raspberry Mead last year, but in general I have been looking to expand my berry meads into using more herbs and other flavoring complexities, apart from my now-customary chaga base.

Damiana is a very interesting herb. One of its Latin names is Turnera aphrodisiaca, an evocative name that gives away one of its ancient uses:

The Greeks named it aphrodisiakos, and it was known as the “goddess of love”. The Mayas and Aztecs used damiana as an aphrodisiac, and also as a general tonic to improve health. They also used to smoke it for relaxation, as well as burning it during ceremonies to induce “visions”. Currently, it is made into a liqueur in Mexico that is quite popular. The herb has historically been considered more important for focusing sexual energies than for creating them.

As you might expect, damiana tea has an enchanting scent; musky yet floral, heady and earthy, a scent that presents itself with the confidence of a lover. You are quite right my friend, it will indeed go very well with raspberry.

Raspberries grow all over my ecosystem, and was able to scrounge up a fabulous variety of them this year (thanks to my generous friends who contributed some…. you know who you are).

I started with a 2-gallon chaga decoction, and at the end of it I threw in a staghorn sumac drupe and a handful of Damiana, let it steep for an hour, then strained it into a carboy to cool.

Once it was cool, I blended 2 quarts of fresh raspberries and strained them into the tea. I then added enough of Tony’s Raspberry Honey to get up to 19% alcohol potential:

After I took this photo, I realized a bit of honey was still undissolved in the bottom of the pot. After I stirred it in, it was just a bit over 19%, which meant the last bit of water I added to top it off brought this brew right up to 19%.

Once mixed together, the high concentration of raspberries (I used almost twice as much as last time) gave a beautiful hue:

The final color is as bright of a mead as I’ve yet made, with the possible exception of the Prickly Pear Mead:

Let’s hope this batch brings some extra special juju to my friend’s gathering. Thanks for the great idea!

UPDATE: 18 December

This mead is now 5% alcohol potential, which gives it a 14% alcohol content.

On Sulfites

As I learn more about fermentation on a commercial level, the issue of sulfites has come up for me. I’ve never added sulfites to my mead; it’s an extra ingredient that I never really needed. I wasn’t even sure what it did, though I know it was surrounded by a sort of enigmatic haze that it’s bad for humans; I vaguely remembered warning labels from wine about sulfites.

Sulfite is a salt, its chemical formula is SO3. It is naturally occurring, but it also is routinely added to commercial ferments. When added to a fermentation, it stabilizes the ferment where it is: the yeast dies, the fermentation process stops, and the sulfites resist oxidization and act as a preservative of the brew. Sounds reasonable, especially in a commercial setting; using sulfites prevents unanticipated fermentation after bottling (the last thing a commercial brewer needs is one of their bottles exploding in a customer’s face), and makes each bottle more consistent over time.

The problem is, some people react to sulfites similarly to having an allergic reaction. These people should avoid consuming excess sulfites, though exposure to some naturally-occurring sulfites is almost inevitable.

I still don’t think I’ll ever use sulfites for my homebrews, there is just no need for it. And philosophically, I don’t like the idea of “killing” my beverages, regardless of the specific questionability of sulfites themselves. For commercial brews, I can understand why it is used.

Plus it’s not so simple than just choosing not to use sulfites: if a commercial brewer decides not to use them and claim “no sulfites” on the label, then they must submit a sample of the brew for testing, to ensure that it truly does not contain sulfites. It’s not as simple as saying “we have added no sulfites” to a particular brew.

I haven’t decided yet if I’ll use sulfites for the Bardic Brews Meads that I will release with UFF. Watch this space.

Blueberry Nettle Mead

The Blueberry Mead I did last year was really yummy, and blueberries are abundant here. So of course I wanted to do another one this year. As it happened, the Auburn Mead Workshop coincided with blueberry season. This year I found a quart of wild blueberries at my local farm stand, at a very reasonable price. So of course I used them.

I wanted to use chaga again, since chaga works so well with berry meads. I did a 2 gallon chaga decoction, and then when I turned off the heat I added a sumac drupe and several handfuls of nettle leaf. I let these ingredients infuse for about an hour, strained the tea, and let it cool down overnight.

I took the tea to the workshop, brought up to about a 19% alcohol potential using my all-time favorite honey, Tony’s Raspberry Honey. I pitched the yeast, and before long I had a yummy carboy full of a deeply colored must:

The color on this quick photo doesn't really do it justice....

Looking forward to this one again….. all the berry meads from last year were fantastic.

UPDATE

10 Sept 2011: I just racked this mead, and it clocks in at 4% alcohol potential. This means it’s a sweet melomel with 15% alcohol. Taste is good…. it’s still young of course so aging will benefit it greatly, but it’s already quite drinkable. Nice color too, will be even better when it settles out!

Mead Workshop in Auburn, ME

I’m happy to announce that I’ll be offering a Lore And Craft Of Mead Workshop in Auburn, ME on Tuesday, July 26th at 6pm. The workshop will include a small mead tasting of a few brews I’ve done, a talk about the lore and value of mead, and a demonstration of how to make your first batch of mead. Registration for the class is $30, and includes a copy of The Lore And Craft Of Mead eBook.

If there are any questions, or specific requests for what the class should cover, please contact us! I’m very much looking forward to sharing the magic of mead with Lewiston/Auburn people! Space is limited, so register now!

Whole Strawberry Mead

The Mead Workshop in Manchester, NH was a smashing success! Thanks again to our host, KO Bisson, and to Michael Fairbrother from Moonlight Meadery for supporting the event. The evening had a fantastic vibe to it, and there are several new meadmakers in the world.

As part of the event, I demonstrated how to make a batch of mead. Strawberries are in season now, and last year’s Strawberry Mead was fantastic, so I wanted to do another batch. I followed basically the same recipe as last year, with the following modifications:

  • I made a more complex tea. I started with a chaga decoction as I did last year, but when I removed the heat I then infused a sumac drupe (rather than the lemons) and 2 handfuls of strawberry leaves. I let the drupe and the leaves sit for an hour, removed them, and then let the tea cool down before straining to remove any last little bits. Strawberry leaf tea is one of my wife’s favorites, she harvests the leaves out of our yard. Plain strawberry tea definitely tastes like strawberries, so this should add another layer of flavor.
  • I added enough honey to get to an 18% alcohol potential. I wasn’t doing hydrometer readings much at this point last year.
  • Also, I remember last year was much hotter than this year, and the initial blast of fermentation built up pressure and this batch exploded all over! Quite a mess to clean up in the morning.
  • This year’s batch also survived a 2 hour car trip home after the workshop. If anything this will only help oxidize the must more, which in the early stage of fermentation is a good thing.

Now, 2 days afterward, it’s bubbling away nicely:

If it’s anything like last year’s, this will be incredibly refreshing later in the summer as we move into fall.

UPDATE: 15 August

I racked this mead tonight. It was already starting to clear, so I actually jumped it ahead of the Spruce Tip Mead, which is still quite cloudy (I expected this…. last year’s Spruce Mead is still cloudy). It tastes delightful! Not as sweet as last years, with 3% remaining alcohol potential. The ABV therefore is 15%. This is already quite good, and should get even better!

The color isn’t as vibrant as last year’s Strawberry Mead…. this could be because of the strawberries, or perhaps I didn’t use as many strawberries this year as I did last year.

What’s so special about mead?

What’s so special about mead? This question has been on my mind a lot recently. It’s a valid question. I’ve been head-over-heels in love with mead for a while now, and such devotion tends to create blind spots in one’s understanding. I find it useful to periodically identify and examine some of these blind spots.

There are many things about mead that differentiate it from any other drink — alcoholic or not — that I’ve experienced. This article will talk about some of these differences.

Mead Is a Natural Beverage

First off, unlike any other sort of alcoholic drink, mead is a natural beverage, meaning it can happen without human intervention in nature. If rainwater fills an abandoned beehive and the mixture is charged with wild yeast in the air, fermentation will occur producing ethanol (the edible form of alcohol) and mead will be the result. This is not true for beer, which requires mashing, malting, and sparging grains (usually barley) to extract their sugars for fermentation, or for spirits, which require a complex distillation process that we’ve only been doing for a few hundred years. Wine is a bit closer to being a natural beverage, but the grapes must be crushed and liquefied somehow for fermentation to happen.

Furthermore, as far back as we can see into history, we find mead in all parts of the planet. Mead is perhaps most associated with northern European cultures, but it is also part of culture in Africa, the Americas, Asia, and among the aboriginal Australians.

Inspiration and Poetry

Mead is old enough to be encoded in the mythologies of most of the cultures it exists within. For instance, in Norse mythology, it is called the “mead of inspiration” and is renowned for its ability to loosen the poet’s tongue, resulting in the ability of the poet to see connections that would otherwise remain hidden. Absent are the archetypes of ethanol consumption prevalent in our culture: the frat party where pledges take turns vomiting in the bushes, the exuberant but not-so-coherent heckler at a sporting event, or the wino slumped against a loading dock, swilling his addiction from inside a brown paper bag, his life destroyed.

Mead is alcohol. You can get drunk from it, and it is most definitely intoxicating when consumed in quantity. But the effects of mead seem different to me, both in my personal experience and in my observations of people indulging in it. We all know the stereotype associated with ethanol consumption in our culture: someone drinks too much. their speech is slurred, and some of their most intense personality traits are further intensified. Some may become violent.

Yet mead somehow seems to raise the vibration of the gathering, lifting the spirits of those sharing it. Ancient texts refer to mead as “bringing wisdom” or allowing people to begin to “thrive,” bringing inspiration and facility with poetry (see, for instance, The Poetic Edda from Norse culture).

I was speaking with Eli Cayer from Urban Farm Fermentory about this phenomenon last week on our way to the MeadFest 2011. He told me a story of his first experience with mead, where it raised the vibration of the party, everyone had a good time, and there was no trouble. This theme is all-too-familiar with mead gatherings I have attended.

What is it about mead that is related to the energy of the people drinking it? I think there are several reasons for this profound relationship between mead and consciousness. The most obvious is honey. Honey is a profound food, probably the most magical naturally-occurring sweetener on Earth. At the risk of quasi-new-age mumbo jumbo, honey seems to be at a higher vibration than other available sugars. I notice a huge difference between mead and beers, for instance; much of this difference I attribute to the superiority of honey over extracting sugars from grains, a practice that is rooted in monocrop agriculture and therefore a relatively recent (and problematic) addition to the human experience.

Mead is a very wide spectrum of different drinks

Compared to (for instance) beer, mead has an extremely wide range of types and flavors. While beers such as a light wheat ale or a deep brown stout will not taste the same, they are at least in the same ballpark, they are both beer, with the malty flavor of barley and the bitterness of hops to some degree. Yet, even a plain, traditional mead made from only honey, water, and yeast can vary considerably in alcohol content (0-20% or so) and on the sweet/dry spectrum. But mead really starts to get interesting when one considers the huge spectrum of additives that can be used to flavor the mead. Adding favorite fruits or berries produces a melomel (fruit mead); adding spices produces a metheglin (spiced mead); mead made with apple cider rather than water is called cyser; mead made with grape juice is called pyment; then there are the nontraditional meads and herbalism, both of which can produce a unique beverage. All of these means will be profoundly influenced by the qualities of the ingredients used.

For instance, honey is the lifeblood of an ecosystem. Its characteristics will reflect the flowers and plants whose nectar is collected by the bees that made the honey. My favorite honey produced by my local apiary is raspberry honey, where the bees take nectar from raspberry plants within range of the hives. This honey is delicious, with the unmistakable tang of raspberries tucked inside the sweetness of the honey.

Even the qualities of the water used in the honey will affect the final product. For me, my brews always begin with some of the best water available on Earth — spring water that I harvest myself from a mountaintop spring in glass containers. Even if you don’t go to such extremes, using the best water available will contribute to the mead being the best it can be.

If mead is so special, why did it fall out of favor 500 years ago?

This is a very interesting question, I found out. It’s hard to give a simple answer. In the thinking and researching I’ve done, I’ve discovered it’s important to take that period of history into context. This was a time of tremendous change in Europe. Every aspect of culture was in transition:

  • This was the time of the Renaissance, the Enlightenment, and the Scientific Revolution;
  • The New World was under frantic colonialism and exploration;
  • Capitalism was taking root economically, transitioning away from feudalism;
  • Smoke from the witch hunts was ubiquitous (which are one of the first globalized examples of mass genocide: most of Europe was at war with one another, but virtually all these countries were in agreement that burning witches was an appropriate strategy). This practice severely reduced the number of wise-women healers and shamans, who traditionally were responsible for the health of the tribe;
  • Land enclosure and large-scale monocrop agriculture were widely practiced for the first time.

A good example of how these shifts manifested in Europe the is the Reinheitsgebot (or Purity Act), passed in 1516 in Germany:

in all cities, markets and in the country, the only ingredients used for the brewing of beer must be Barley, Hops and Water. Whosoever knowingly disregards or transgresses upon this ordinance, shall be punished by the Court authorities’ confiscating such barrels of beer, without fail.

This law had profound effects on humanity’s relationship with ethanol. Prior to this law, throughout Europe there were Gruit Guilds, that is, herbal supply guilds, whose recipes and herbal mixtures had been perfected over centuries and handed down countless generations. It used to be, one went to the “pub” to get an ale for what ails you; there would be a variety of brews available, depending on the herbal effects desired.

The Purity Act wiped these guilds out, by specifying that the only acceptable herb to brew with was hops. What do we know about hops? As an herb it is highly estrogenic, which contributes to the stereotype of men who consume too much beer, with their increasingly goddess-shaped figures. Hops are a sedative, and they reduce the sex drive. By mandating that all legal brews must contain hops, the Ingolstadt magistrates ensured a more docile (and less healthy) populace, and by mandating confiscation of traditional herbal brews, they ensured that the healthiest drinks would be available (legally) only to them.

Another reason contributing to mead’s fall-from-grace is the relative scarcity of honey, especially compared to the unprecedented yield of monocropped grains taking root in the economic culture at the birth of capitalism, along with the fundamental feature of capitalism called “enclosure.” Land Enclosure allowed parcels of land to be enclosed from the common, razed to the soil, and only one plant allowed to grow. The patchwork quilt-like appearance of the English countryside, for instance, is a visual testament to centuries of land enclosure.

Finally, this period saw mass distillation of alcohol available to people for the first time in history. There is a “ceiling” to the amount of alcohol that fermentation alone can produce — when the alcohol content of a fermenting beverage reaches 15 or 20%, it creates a toxic environment in which the alcohol-producing yeast can no longer survive. Apart from being a fascinating metaphor (can you think of another organism that gradually toxifies its ecosystem until it can no longer sustain life?), it meant that the strongest alcoholic drinks were no more than about 20% alcohol at the most.

By the 1500s and 1600s, the alchemists’ secret of distillation was commodified and unleashed onto the public. By evaporating and then re-condensing the alcohol, spirits were created which could be up to about 95% alcohol — common spirits we know today such as whiskey, rum, vodka, tequila, and all the others. It is also interesting to note that the phenomenon of widespread alcoholism was relatively unknown until this period in history.

All of these factors contributed to mead losing popularity, remaining a rustic novelty drink with a few diehard enthusiasts keeping the tradition alive in a culture besotted with beers, wines, and spirits. Here were are now in the 21st century, with corporate-produced beers dominating the ethanol consumption across the globe.

Mead is making a comeback

As I write this in 2011, mead is making a comeback and is increasing dramatically in popularity. Micromeaderies are opening in every town, mirroring the Microbrew phenomenon of 20 years ago, when brewpubs seemed to pop up on every corner of the urban landscape.

But the real story is with homebrewers. More and more people are making mead, experimenting and discovering an entirely new way to be in relationship with one’s ecosystem. The qualities of ingredients and techniques used are both phenomena of place. Each bottle of mead will have its story, of how it came into being in that place.

Every bottle has its story

I love all of my brews, but the ones whose ingredients I wild-harvest myself often have the most meaning to me. Sometimes, I will do a spring run, a honey run, and forage on the same trip, harvesting my ingredients at the same time, with intent.

For instance, I can point to the spruce trees from which I took the leaves in my Spruce Tip Mead. Medicinally, I have been bonding with the Elecampane Mead for a while, getting to know this plant and feeling its effects on my body. The run of berry meads I did last summer were a testament to the ripening season, as each berry was done when it was ripe.

When you make — and consume — your own mead, with intent and a certain amount of reverence, you can resonate with its story. And if you age a few of the bottles, you’ll be able to share these stories far into the future.

Spruce Tip Mead

Out of all the meads I did last year, the Spruce Mead was easily the most unusual, and also one of the best-loved. I was told “it tastes like Yule” more than once, and one friend sipped it, shouted with joy, jumped up, gave me a hug, and told me it was the best mead he’d ever had. For me, it was also the first mead I made using ingredients from my local ecosystem. I harvested the spruce boughs on Beltane, and made the tea with that.

This year, I waited a bit longer in the season. I got the most gorgeous, neon-green tips when they came out:

photo by Morgan Lindenschmidt

I took about a half-gallon of these boughs, harvested sparingly from the north side of the tree, and from branches near my driveway that I didn’t want to grow much further over the driveway, and made a tea:

photo by Morgan Lindenschmidt

I brought the tea to a boil, and then turned the heat off for a nice spruce tip infusion. I then strained the spruce tips. I wanted to add some tang to it as well, so I made about 3 cups of sumac tea, using 2 TBSP of crushed staghorn sumac:

Again, I brought it to a boil, and let it infuse for about 5 minutes. I then poured the tea through a strainer into the large pot with the spruce tea, which warmed the tea up nicely (it had cooled to room temperature).

I then added enough honey to get to a 19% alcohol potential:

The spruce mead last year was extremely sweet, which was part of its charm. Hopefully this batch will be somewhat less sweet, with a relatively high alcohol by volume rating (I’m shooting for 15% alcohol, with 4% potential remaining for a pretty sweet finish).

Technically, this mead is a metheglin, since it was brewed with herbs. This was a big hit last year, and along with the Treequinox Mead this year I hope it comes out well.

UPDATE

9 Sept 2011: Just racked this mead. It’s still extremely sweet at 6% alcohol potential, which means this mead is at 13%. Flavor is subtly different than last year’s, which I attribute to using sumac rather than lemons and black tea. Still fantastic! Will be nice to have both this and the Treequinox Mead aging in my “cellar”….

Brewing Mead with Chaga

Out of all the ingredients that consistently end up on my labels, I am by far asked most often about chaga. The notion that one can enhance their alcohol using mushrooms is, I suppose, somewhat counterintuitive; I think people picture mushroom gravy from a deli mixed with beer or something similar. But as it turns out, chaga adds a delightful layer of flavor, a beautiful darkening colorization, and plenty of nutritional reasons to include it.

I remember the first time I harvested chaga from the wild. I was spending the weekend with a friend, a quiet retreat in a cabin in the Maine woods. We spent the entire trip in to the cabin looking at every white birch we encountered, combing the surface of each tree for the blackened, charred-looking protrusions, the telltale signs of chaga growth. We saw no sign whatsoever of chaga on the hike in.

After searching for several days, we finally found some ripe chaga — on a birch tree not 10′ away from the corner of the cabin. The tree wasn’t doing particularly well; once chaga is blossoming the tree is doomed and will die within a few years. There was a ladder handy, and with a good knife the chaga came right off. It was a large tree, and we harvested enough to last each of our families several months. It’s no coincidence that my companion on this trip was a friend with whom I’d spent a lot of time brewing beers, before I discovered the benefits of mead.

Normally I decoct the chaga into a delicious tea, simmering it for several hours, most often in a crock pot, until I have a beautiful beverage that looks like coffee and tastes very clean, with a hint of maple and vanilla. I use chaga tea (sometimes with other herbs such as reishi) as a base for my elixirs, which I drink nearly every morning in the winter.

This same tea is the basis for many of my meads, particularly fruit meads using berries. Beginning with chaga tea rather than water has several benefits for the mead. First, you get all the nutrition and herbal benefits of the chaga. Second, the chaga adds a nice mellow layer of flavor that is subtle in the finished mead, but mellows things out nicely. Third, while the finished mead isn’t coffee-like in color like chaga tea, it does darken the final mead product noticeably and beautifully.

When I brew mead with chaga, it’s usually a 3-gallon batch. Therefore I will brew 2 gallons of chaga tea, adding about 2 fistfulls of chaga to 2 gallons of spring water, and decocting for 4-6 hours minimum. With this 2 gallons of tea, I follow my basic mead recipe, which is described in detail in my meadmaking eBook.

I have not yet experimented much with tincturing chaga, either done traditionally with vodka or another distilled alcohol, or in the mead during secondary fermentation. UPDATE: I have now done several double extractions with both chaga and reishi, my technique is detailed here.

In addition, I tested meads in the Mad Trad Trial, 2 of which used chaga, the other 2 did not. The color of the finished mead was every-so-slightly darker, but perhaps more importantly the 2 batches done with chaga cleared much more quickly than the 2 non-chaga batches. This preliminary empirical evidence suggests to me that there is something in the chage, perhaps electrolyte related, that causes the mead to clear more quickly.

All in all, chaga is probably my #1 favorite herb in my life, and I absolutely love what it does to my meads. I encourage you to experiment with it (or whatever your favorite herbs are) when you brew.

Treequinox Mead

It’s the First Day of Spring — Eostar, Ostara, the Vernal Equinox — in Maine, and I’ve been interacting with trees in my ecosystem as of late. They are like old friends that I haven’t seen in a few months. I wanted to honor this part of the seasonal cycle with my next batch of mead. We still have some snow on the ground, but it’s melting fast and there’s as much mud as snow. The trees are waking up, and I knew it was time to make a Treequinox Mead.

In northern New England, spring also means maple tapping season. It takes 40-60 gallons of sap, boiled down to reduce to 1 gallon of maple syrup. A friend was kind enough to bring me 4 gallons of maple sap the other day (thanks Jason!), and I knew I wanted to use it in a mead. Another friend, Arthur Haines, just posted a video about maple season:

Arthur is a botanist, and has written the best field book for my ecosystem that I’ve yet seen. He explains the process of getting maple sap skillfully and sustainably.

I used 2 gallons of the sap for the Treequinox Mead as a base, rather than the spring water I normally use. The other two are presently reducing into syrup on our stove.

I also had to cut down two trees in my yard for mushroom cultivation. We live on 2 acres of forest, and get little sunlight. We haven’t had much luck trying to grow vegetables, but I’m hoping that mushrooms will fare better. I wanted to use plug spawn, which requires fresh logs, so I knew I would have to take down a tree. I wanted to grow chicken of the woods (Laetiporus conifericola) and Phoenix Fir Oyster (Pleurotus pulmonarius), both of which grow on the Eastern Hemlock tree. Hemlocks are plentiful on our property, so it was easy to find one that was ready to be taken down. We also had to take down a fir tree to get the hemlock down safely. Both trees have been cut into 4′ logs (thanks again Jason!), which will rest for a month or so. Live trees contain anti-fungal compounds that dissipate a few weeks after the tree is cut. Both mushrooms grow on both hemlock and fir, so I’ll plug some of each species of mushroom into both species of log.

This also meant I had an abundance of both hemlock and fir boughs, that are now going to dry out and decay. I wanted to use as much of the tree as possible, so I gathered about a gallon of the boughs, along with some additional spruce in my yard, and made a Fir, Hemlock, and Spruce tea in the maple sap. I rinsed the leaves and then decocted them for 15 minutes in 2+ gallons of maple sap, removed the heat and put the pot on the back porch to cool off.

Once the tea had cooled to blood temperature, I brought it in and strained it. It tasted delicious! The sap is already sweet and the evergreen flavor was really good. I then added about 3/4 of a gallon of honey, adjusting the amount until I got an alcohol potential reading of 17.5%:

The conifer leaves have some citric acid in them, but I did make 3 cups of organic black tea for the tannins. I then pitched the yeast as normal, and am left with a beautiful 3 gallon batch of Treequinox Mead:

Don’t worry, Spruce Mead fans, I still plan on making another batch of Spruce Mead this year….

UPDATE: I just racked this mead and it’s delicious! Very similar to the Spruce Mead I made last year, but not as cloyingly sweet. It is still quite sweet though, at 5% remaining alcohol potential, meaning this batch is 12.5% alcohol. This mead is already starting to clear, unlike the Spruce Mead from last year which is still not clear!

UPDATE: I haven’t been posting labels much recently (since they are all variations on the same theme), but this one turned out especially cool I thought, with the maple leaf in the background and the hemlock tree in the corner: